For context, I want to run a small personal gig (offering stuff on Patreon). Nothing too fancy.

In order to do that, I would need to use the Adobe suite, Windows, some audio and video effects, all requiring a commercial license.

In theory, I start to make money. How would Microsoft and Adobe know that I don’t pay for their software?

If I use some audio effects, how would their owners even be able to tell / find my work? We’re talking about basic sound effect, like rain, door knocks etc.

I’ve always been confused by this

  • jlow (he/him)@beehaw.org
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    11 months ago

    I’d also encourage you to look into FOSS alternatives but I have a friend who’s a graphic designer and he’s been pirating the crap out of Adobe since he began his studies in the early 2000s. He says neither he nor any of his collagues (all freelancers) ever had a problem with pirated software. It’s literally unheard of. And if you think about it, how is Adobe gonna find out if you block their phoning home with a firewall? Printers don’t give a damn (and couldn’t tell), neither can clients or random people on the internet. No one is ever going to be “Nice work but can you quickly somehow proof to me that you actually have the ridiculously overpriced subscription for that barely functioning design suite eveyone uses because there’s no alternative (except for Affinity maybe)?”

    • Paranoid Factoid@beehaw.org
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      11 months ago

      I got my start shooting drone footage of empty lots for architecture firms, then building 3D models of a proposed building by their plans, and compositing the footage together with motion tracking. First in Maya and then Blender. They’d use that to sell their client. This was just over ten years ago, after I’d burned out as an IT director.

      Every one of those architecture firms demanded a written statement affirming licensing of all my software and any external assets used. They also required NDAs for all plans I saw. And that I have a registered business, with a tax code.

      I later added motion graphics and animated logo design for small production houses and they all demanded the same.

      I also do a lot of mom and pop work, which could go under the radar. But I learned early on to play by the rules. As an IT director I handled licensing audits and those companies are real sticklers. Every little motherfucking thing they can ding you on they will.

      This is the real world where pros play.

    • jlow (he/him)@beehaw.org
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      11 months ago

      If it’s not Adobe your pirating but a small firm consider buying their stuff if you can afford it. Yes, I know this is the piracy forum but just like with indie games I think if you have the money and get value out of it then it’s cool to support actually people, that need to eat. Global Evilcorps surely not, but people are supporting you via Patreon so why not give some of that money to the people who develop the tools that help you make that money …