An artist who infamously duped an art contest with an AI image is suing the U.S. Copyright Office over its refusal to register the image’s copyright.
In the lawsuit, Jason M. Allen asks a Colorado federal court to reverse the Copyright Office’s decision on his artwork Theatre D’opera Spatialbecause it was an expression of his creativity.
Reuters says the Copyright Office refused to comment on the case while Allen in a statement complains that the office’s decision “put me in a terrible position, with no recourse against others who are blatantly and repeatedly stealing my work.”
You could copyright a photograph of that leaf pattern though, couldn’t you?
but its just a photocopy of the leaves, not the actual leaves. And to photograph something, you capture it according to your will. What will be the light situation, from which angle, at what focal length,… so many options.
This is getting weird.
If I would generate an image with an AI and then take a photo of it, I could copyright the photo, even if the underlying art is not copyrightable, just like the leaves?
So, in an hypothetical way, I could hold a copyright on the photo of the image, but not on the image itself.
So if someone would find the model, seed, inference engine and prompt they could theoretically redo the image and use it, but until then they would be unable to use my photo for it?
So I would have a copyright to it through obscurity, trying to make it unfeasible to replicate?
This does sound bananas, which - to be fair - is pretty in line with my general impression of copyright laws.
Copyright covers your creative expression.
For example, you draw a superhero named “LemmyMan” and post it online. All of your creative choices are protected. If someone made another LemmyMan with a different caption, they would be violating your copyright because you created everything about LemmyMan, not just the caption in your drawing.
Now suppose you take a photo of Mount Everest. Mount Everest is not your creation, but the choices of lighting, foreground, and perspective are. Someone could not copy your exact photo, but they could take a different photo of Mount Everest making different creative choices.
The same is true of taking a photo of work in the public domain, like the Mona Lisa. If you make no creative addition to the Mona Lisa in your photo, then you have no copyright at all. If you put some creativity into your photo, like some interesting lighting, then those creative elements are protected. But anyone else could still take a photo of the Mona Lisa with different lighting, the subject itself is not under copyright.
Now suppose you tell an AI, “Draw me a superhero”, and it outputs ChatMan. If you make no further creative additions, then you have no copyright at all. But suppose you add a caption to it. Then the caption is your creative expression, so that is protected. But the rest of ChatMan is not, it’s in the public domain just like the Mona Lisa. Anyone else can make their own version of ChatMan that’s exactly the same minus your caption, because the underlying subject is not protected.
You just inadvertently explained why copyright doesn’t cover training. Thanks.
Copyright doesn’t cover the output of training. But AI companies are being sued over training input.
If you want to download a bunch of images from the Getty catalog, you need permission from Getty. If you don’t have their permission and download them anyway, you can be sued. It doesn’t even matter whether those images are used for training or some other commercial purpose unrelated to AI.
Depends on the training and the output.
Just like if you photographed the Mona Lisa in such a way as it recreated the piece as if it wasn’t a photograph, a model sufficiently trained that can reproduce the original training data, you have copyright issues.
Problem is that many models can do this, but it’s a mathematically improbable occurrence.
If I make a stamp that’s made of 1 billion exact copies of different copyrighted photos and cut it infinitesimally small, and mixed it up, the problem that it can produce the original work that it was made from still becomes a copyright issue.
You’d have to prove the opposite, in fact. That it’s mathematically impossible for your model to reproduce the copyrighted content for it not to be an issue
It’s human expression that is protected by copyright. Creative height is the bar.
If you’ve done nothing but press a button there’s often no copyright. Photography involves things like selection of motive, framing, etc. If you just photograph a motive which itself doesn’t have copyright, then what you added through your choices is what you may have copyright of. Using another’s scan of a public domain book might be considered fair use, for example (not much extra expression added by just scanning)
Independent creation is indeed a thing in copyright law. Multiple people photographing the same sunset won’t infringe each other’s copyright, at least not if you don’t intentionally try to copy another’s expression, like actively replicating their framing and edits and more.
Doesn’t modern art include works that are simply paint streaks left on canvas from someone quickly swinging a brush with paint on it at a distance?
Why is the phrase used by an AI prompt not considered more effort than that? The former requires no thought, only movement. The latter requires an understanding of language, critical thinking and the ability to envision an end result that isn’t just a paint splatter.
Because in a Jackson Pollock painting, the artist was in complete control of his paintbrush as it swung through the air. Not to mention the choice of brush, the amount of paint, the color, etc. If there is a blue streak in the upper left, it’s because Pollock wanted a blue streak in the upper left.
An AI prompt is more like handing your camera to a passerby in Paris and saying, “Please take a photo of me with the Eiffel Tower in the background”. If your belt is visible in the photo, it’s because the passerby wanted it there. That’s why the passerby, not you, has a copyright over the result.
Your first paragraph is just nonsense. Please go try to swing a paintbrush and get every drop exactly where you want. It’s not possible. It’s literally why pollock painted that way.
Being in control does not mean achieving what you “want” or intend.
You are in control of your car, even if you unintentionally hit a tree. Likewise, Pollock controls his paintbrush, it is held by his hand which only he can move. If he flicks paint on his friend’s new jacket that might not be his intent, yet he is still 100% responsible for that outcome.
Your words.
Hmm… what about pendulum painting? Where you put paint in a bucket, put a hole in it, and let it swing back and forth over the canvas?
On one side he chooses paint and size of hole and initial path and so on, but on the other hand he let nature and physics do the actual painting for him.
In this case, it sounds like all the key creative choices (eg form, color, background) were made by the artist.
No they weren’t. Their brush was being influenced by every piece they had seen before. None of those arguments are any different than the resin was in control of the prompt when they requested the image. This is nothing more than human/biological exceptionalism.
Copyright law is absolutely based on human exceptionalism, because it is meant to incentivize humans.
Indeed. ‘Fountain’ is widely recognised as a major landmark and it’s just a urinal in a museum.
https://en.wikipedia.org/wiki/Fountain_(Duchamp)