• 24 Posts
  • 843 Comments
Joined 1 year ago
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Cake day: June 23rd, 2023

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  • No, you can blame the non-voters. The ones who thought it was great idea to get pissy about one issue and stay home. Or “both sides” their way into an idiotic stance.

    And in 2026, you can also blame the non-voters. The ones who elected Kamala president, but are too stupid to understand that voting is an annual process, and Kamala isn’t a fucking queen that can enact anything she wants without the support of a democratically-elected Congress.

    Vote twice a year, every year. Every. Fucking. Time. Why is that so hard to understand?

    EDIT: All of you people bitching about the war in Gaza should stop and think about what would happen to Gaza if Trump got elected. You have two choices, and staying at home just forces one of those two choices for you.


  • The last great TV series I watched was Mr Robot, and that started in 2015, by a cable studio.

    Now, I’ve seen plenty of good potential streaming series that have a first season, like Arcane and Severance. But, the odds of them having some sort of beginning, middle, and ending are damn near zero. How can you have any sort of series when they want to spend something like five years between seasons?

    Hell, even The Expanse, which started out as a cable series, got picked up by Amazon, and they decided to just shitcan the series because they wanted to spend a billion dollars on their LotR boondoggle. They had a pretty good run, but it deserved better.




  • Then you watch all the “greatest” TV shows: Sopranos, Breaking Bad, Deadwood, Freaks and Geeks, Gilmore Girls, Star Trek, Madmen which are filled with these huge, scenery-chewing performances.

    What do all of those shows have in common? They were all made at least ten years ago by cable studios that actually knew what the fuck they were doing. Today’s Hollywood is mostly a dumpster fire of bad writers, bad directors, bad writers, actors that have their hands tied by the rest of the crew, terrible terrible writers, and producers who are so far removed from reality that they don’t even understand what makes a film great.


  • As somebody who recently set up a Denon 5.1 system, that’s not been my experience. I mean, there’s certainly a lot of tweaking, wires, and configuration to do, but it’s not because of the audio standards. Dolby just fucking works, and everybody uses it.

    The main problem is trying to figure out how best to upmix stereo inputs to get it to sound decent, and make sure you can get a decent mix of narration and music. I’ve found it’s best to just trust the microphone-based auto-configuration for speaker levels, and use the other options like multi-channel stereo and the dialog enhancer settings to make it work better.