I agree that Songs for the deaf is QOTSA’s magnum opus, but majority of their other albums are bangers too and it feels unfair to say they fell off after it
I agree that Songs for the deaf is QOTSA’s magnum opus, but majority of their other albums are bangers too and it feels unfair to say they fell off after it
Ok but what about Irn Bru, it’s gotta be just under water
The most obvious answer to this is the halting problem.
Maybe it’ll be good and healthy to start again from fresh, get the old feeling again. We just gotta build up that initial content now to grow the appeal to newcomers
I think it was there for a while, it’s just gone full mask off mode and become particularly noticeable now
Having being obsessed with QOTSA for half a year or so, I moved too some of Josh Homme’s other project: Them Crooked Vultures, and Desert Sessions.
Other artists I would recommend are Wolfmother, Death From Above 1979, and Royal Blood.
If you want something thats a bit more rythmicly and melodically playful, I would highly recommend most albums by the Psychedelic Porn Crumpets. Their two most recent releases I haven’t enjoyed so much, but the rest is golden. King Gizzard & The Lizard Wizard is good of you find the right albums. Personally I really like Nonagon Infinity, PetroDragonic Apocalypse, as well as their microtonal series of albums: Flying Microtonal Banana, KG, and LW.
Love to see a Salvatore Ganacci reference in my feed
(Unless he’s referencing something else then feel free to enlighten me)
Por qué no los dos?